11th Gwangju Biennale
2. 9. – 6. 11. 2016
Korea

Fellows

The GB11 Biennale Fellows consist of roughly one hundred small- and medium-scale art organizations across the world whose work makes important contributions to the art of today, yet remains under the radar. Biennale Fellows will continue doing the important work they normally do, without GB11 being involved in their activities.
These organizations often function as the research and development department of the art world, generating new ideas, supporting artists to allow them to experiment and cultivate their practices, shaping new curatorial and educational methods, and fostering active relationships to their field as well as to their physical, social, and political environments. Yet the significance of their works for a wider art and social ecology has not been acknowledged enough.

To All the Contributing Factors

The Forum entitled To All the Contributing Factoris, consists of three days of activities dedicated to questions of value, continuity, and scale through the lens of the art organizational practices of the so-called Biennale Fellows, around 100 small and mid-size “differential” art organizations from various parts of the world, and imagining acts in common. Representatives from about 80 of the Fellows will participate in the Forum.



The Forum will take place at several locations, including the Gwangju Biennale Hall, 518 Archives, Gwangju International Center, Mite-Ugro, and May Mother's House.

Curated by Binna Choi and Maria Lind.
P
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
R
S
T
V
W

P!, New York

self-presentation:

Who are the significant people and lessons that precede the making of even a single exhibition? For OST UND oder WEST: Klaus Wittkugel and Anton Stankowski (January–February 2016), a partial list might include: Jörg Petruschat, Société Réaliste, Christine Hill (Parallels between capitalism and communism) / Elaine Lustig Cohen, Heman Chong, Katarina Burin, June Crespo, Heather Rowe (Displaying history today) / Barbara Bloom, Ken Saylor, Judith Barry, Amie Siegel, Omer Fast, Tina Kukielski, Zia Haider Rahman, Åbäke (Meta-textuality and narrative uncertainty) / Peter Rostovsky, Thomas Brinkmann, Aaron Gemmill (Original versus copy) / Mathew Hale, Leslie Hewitt, Daniel Palmer (The stacked book as pedestal) / Karel Martens, Martin Beck, David Knowles (How to hang a grid that’s not a grid) / Sarah Oppenheimer, Maayan Strauss, Levi Murphy, Asher Mones (Storefront hijinks) / Wong Kit Yi, Mr Yeh, Leong Leong (Feng Shui curating) / Emily Smith, Nick Irvin, Sarah Demeuse (Writing for everyone) / Christopher Kulendran Thomas (Why try to be different?) / and Brian O’Doherty (The lure of total authorship). The rest, of course, is mine.

website
p-exclamation.com